ICAF CFP and Lent Scholarship

CALL FOR PAPERS:

ICAF: International Comic Arts Forum, 14-16 April 2016

<http://www.internationalcomicartsforum.org>

 

14-16 April 2016

University of South Carolina, Columbia

ICAF, the International Comic Arts Forum, invites proposals for scholarly papers for its eighteenth annual meeting, to be held at the University of South Carolina in Columbia, from Thursday, April 14, through Saturday, April 16, 2016. Confirmed guests include comics artists Howard Cruse, Keith Knight, Cece Bell, and Prof. Michael Chaney of Dartmouth College.

The deadline to submit proposals is November 6, 2015.

ICAF welcomes original proposals from diverse disciplines and theoretical perspectives on any aspect of comics or cartooning, particularly studies that reflect an international perspective. Studies of aesthetics, production, distribution, reception, and social, ideological, and historical significance are equally welcome, as are studies that address larger theoretical issues linked to comics or cartooning, for example in image/text studies or new media theory.

Among the thematic panels we hope to offer are Comics and the American South, Digital and Online Comics, and Superheroes; proposals are especially welcome in these areas.

PROPOSAL GUIDELINES: ICAF prefers argumentative, thesis-driven papers that are clearly linked to larger critical, artistic, or cultural issues; we avoid presentations that are summative or survey-like in character. We only accept original 20-minute papers that have not been presented or accepted for publication elsewhere. Presenters should assume an audience versed in comics and the fundamentals of comics studies. Where possible, papers should be illustrated by relevant images on PowerPoint. Proposals should not exceed 300 words.

REVIEW PROCESS: All proposals will be subject to blind review. Due to high interest in the conference, in recent years ICAF has typically been able to accept only about half of the proposals received.

SEND ABSTRACTS (with contact information, including state, province, or country of residence in the body of the email) by 6 November 2015, to C.W. Marshall, ICAF Academic Program Director, via email at <toph.marshall@ubc.ca>.

Receipt of all proposals will be acknowledged. Applicants should expect to receive confirmation of acceptance or rejection by December 14, 2015.

ICAF also sponsors the John A. Lent Scholarship in Comics Studies. This scholarship is awarded to a current student who has authored, or is in the process of authoring, a substantial research-based writing project about comics. Applications for this scholarship are due by 8 January 2016. For more information and details of the application process, please visit our website. 

Michigan State University's Comic Book Collection featured on podcast

Michigan State University's Comic Book Collection.

Comic Time (August 14 2015): https://www.youtube.com/watch?v=DLGUVf2_e-0&feature=youtu.be

A 75-minute look at the collection headed by Randy Scott.

INTERNATIONAL JOURNAL OF COMIC ART 17:1 (Spring 2015) Table of Contents

The new 675-page issue is out now. Available for order at http://www.ijoca.com

Visual Language: Neil Cohn and Kent Worcester in Conversation
Neil Cohn and Kent Worcester
1
From lcono-Iinguistic Unity to Semiotic Continuity: An Alternative Description of Semiotic Repertoire of Comics
Hubert Kowalewski
24
Origins and Definitions: Arguments for a Non-Essentialist Approach
Hannah Miodrag
45
Comic Composition; or When Kierkegaard and Cartoon Art Took to the Streets
Louise C. Larsen
57
The Archive as Comic: Aleksandar Zograf's "Polovni svet" and Post-Yugoslav Serbia
Paul Morton
74
Terry Hirst: The Renowned Trailblazer Editorial Cartoonist and Comics Author in Kenya
Msanii Kimani wa Wanjiru
90
The Waking Life of Winsor McCay: Social Commentary in A Pilgrim 's Progress by Mr. Bunion
Kirsten A. McKinney
117
An Australian Comic Breakthrough:Craig San Roque's The Long Weekend in Alice Springs. Adapted and drawn by Joshua Santospirito
Richard Scully and Joshua Santospirito
131
The 19th Oddity of Yunnan: Propaganda and Memory in Li Kunwu and Philippe Otie's Graphic Novel A Chinese Life
Nick Stember
149
Into the Present, by Way of a Non-Existent Past: Breccia, Trillo, and Alvar Mayor
Hector Fernandez L'Hoeste
181
Daumier's Deadline: Expedited Expressiveness and Franco-Belgian Cartooning
David Allan Duncan
197
Avant-Garde Abirached
Mark McKinney
210
The Self-named "Fool-in-chief": Cameroon's Hard-hitting Cartoonist, Nyemb Popoli
John A. Lent
246
Landscapes of Trauma in Grenier and Austini's Rwanda 1994
Jennifer Anderson Bliss
257
Against a "Tradition of the New": Architectural Criticism in Chip Kidd and Dave Taylor's Batman: Death by Design (2012)
Gorana Tolja
272
Bob Staake: "I don't Like the term cartoonist at all ... "
Michael Rhode
287
Leading British Politicians in The Times' and The Guardian's Cartoons 2010-2013
Monika Nowicka and Janusz Kazmierczak
299
Crossing the Line: Offensive and Controversial Cartoons in the 21st-Century -- "The View from Australia"
Richard Scully
336
UNMAD and Bangladeshi Cartooning: A Socio-Cultural Journey with a Bitter Sense of Humor
Mehedi Haque
358
The Mediated Appeal of Kawaii "Cute" Mascot Characters in Japanese Consumer Culture: A Case of Kumamon
Michael L. Maynard
367
Malay Pendekar: Silat Warrior in the Malaysia Graphic Novel
Muhamad Azhar Abdullah
395
Pioneers in Comic Art Scholarship
Oscar Steimberg and the Origins of Comics Studies in Argentina
John A. Lent and Pablo Turnes
405
German Comics after Unification: The Politics of Anke Feuchtenberger's Feminist Aesthetics
Elizabeth Nijdam
417
Comics Exhibitions in Contemporary France: Diversity and Symbolic Ambivalence
Jean-Matthieu Meon
446
The Gradual Nationalization of Comic Strips in Brazilian Newspapers
Paulo Ramos
465
Matt Wuerker on the Cartoonists Rights Network International
Michael Rhode
478
From Corporate to Collaborative Comics in India
Jeremy Stoll
483
Comics and Journalism: Witnessing the World with Pen and Paper
Joost Pollmann
500
Bandas Orientales: Una Experiencia de Historieta Historica Digital en el Marco Del Plan Ceibal
Maria Victoria Saibene Lopez
505
Comicvoice: Theory and Application
John Baird
517
Considering the Perception of Time and Sequential Images in Digital Comics
Davey Sams
540
Teaching Graphic Novels and Manga at the University
Marc Wolterbeek
557
Measuring the Impact of Free Comic Book Day in Singapore
Philip Smith
569
The Motif of the Wound in Attack on Titan
Asuka Yamazaki
583
Personal Remembrances: Interviews with Seven Recently-Deceased Giants in Cartooning and Animation
John A. Lent
598
Vins: Chronicler of Life and Times
Mrinal Chatterjee and Triambak Sharma
631
The Printed Word
John A. Lent
634
Book Reviews
Kirsten M0llegaard
Philip Smith
Andrew Lesk
John A. Lent
639
Exhibition and Media Reviews
Edited by Michael Rhode
David Robertson
Nick Nguyen
Michael Hill
649

Latest International Journal of Comic Art out

675 pages! Subscribe at http:// www.ijoca.com

Table of contents will be posted here tomorrow.

Future in Comics CFP (UPDATED)

SECOND CALL FOR PAPER (BY POPULAR DEMAND!)

 

Organizers: The research group on comics at the English Department, Stockholm University

 

Where and When: Stockholm, 3rd-5th September

Call for papers, deadline/ Notification of acceptance: 10th of May, 2015/15th of May, 2015

 

Website: https://futureincomics.wordpress.com

 

E-mail for submissions: Submissions will be handled via easychair:

https://easychair.org/conferences/?conf=fic1

 

This conference aims to investigate ways in which comics explore the idea of "future." Its goal is to gather scholars from the field of comic studies and related fields, such as linguistics, philosophy, literary studies, cultural studies, sociology, anthropology, film studies as well as others that can discover a conceptual connection to the rigorous study of comics. Given our broad and yet specific purpose, we aim to discuss work on comics originating from all major traditions: French bande desineé, American and British comics, Italian fumetti, Japanese manga, and so on. In pursuing this cross-cultural approach, we wish to discuss not only how different conceptions of the future in comics can be compared and analysed, but also how comics offer unorthodox modes of representation that allow for creative, intellectual freedom that may be different from literature and cinema. In particular, we are interested in, but not limited to, discussing these themes:

 

·         The cross-roads between utopia and dystopia (e.g. Gundam's Universal Century);

·         Transmetropolitan's representation of life in "the city", Harlock's 30th century, the world of Rogue Trooper);

·         Apocalypses and new beginnings (e.g. Nausicaä's tragic millennium, Authority's new world, X-Men's days of future past, El eternauta's alien invasion);

·         The cities of the future (e.g. Dredd's Mega city one, Akira's neo-Tokyo, RanXeroX's Rome);

·         The humans of the future: mutants, augmented humans and cyborgs (e.g. Major Kusanagi in Ghost in the Shell, Tony Stark in Iron Man; 2000 A.D.'s ABC Warriors);

·         The politics of the future (e.g. Bilal's Nicopol Trilogy, Oshi's Patlabor trilogy, Marvel's Civil War);

·         Time and history (e.g. Watchmen, Planetary, Neon Genesis Evangelion);

·         Nostalgia for future pasts (e.g. Nadia, Arzach, Tom Strong, Satellite Sam);

·         Elaborations and revisitations of futures in comics (Pluto, Time², Le Transperceneige);

·         Futures set in stone, and how to avoid or reach them (X-Men's days of future past, AppleSeed, The Invisibles).

 

We hope to create a conference that not only discusses these topics and uncovers how they have been addressed in comics about the future, but also to lay the foundations of future research on these topics and develop new tools for advanced comics studies. We welcome abstracts between 400 and 500 words, excluding references and title. At the moment, we are aiming at securing publishing rights for selected papers from this conference, aiming at publication in December 2016.

 

For further information, please contact us at:
francesco.ursini@english.su.se
or
adnan.mahmutovic@english.su.se

Electronic registration will start by the 16th of May.

 

Webinar invitation for April 7th international MOOC discussion

Anyone who would like to link a classroom outside the U.S. with a comics-related classroom at the University of Washington can contact Michael Dean at deanm206@uw.edu

International Course Collaboration

Connect your professors and students to partners in the United States using online technology

Dear colleagues,

We invite you to join us in an effort to deepen global engagement of students in the classroom, without requiring travel abroad, by implementing project-based online collaboration within existing courses.  Since 2013, the University of Washington Bothell has been implementing an initiative that connects classes on our campus to those in Egypt, India, Peru, South Africa and others. Read more at: http://www.uwb.edu/globalinitiatives/academic/coil-initiative  

We are looking to expand the effort and engage new partners – you!  Please join us for a free, one-hour introductory online workshop, intended for professors and administrators who would like to explore collaborating with University of Washington faculty on courses in the future.

Introduction to COIL Webinar

Tuesday, April 7, 2015 | 2:30-3:30pm Pacific Time

The online workshop, presented by UW Bothell International Collaboration Facilitator, Greg Tuke, and his colleague Karim Ashour from Future University in Egypt, will introduce the COIL* approach and discuss some of the communication tools used – Skype video, closed Facebook groups, student-produced videos – to have students work directly and deeply with each other across cultures and countries.  Register by March 31 by emailing gregtuke@uw.edu. Following this, we will send you a link to the webinar.

As a preview, I invite you to watch Greg discuss his Global Media and Social Change course: https://www.youtube.com/watch?feature=player_embedded&v=8aRff5EwTE0

* COIL (Collaborative Online International Learning) is an approach to fostering global competence through development of a multicultural learning environment that links university classes in different countries. Using various communication technologies, students from different countries complete shared assignments and projects, with faculty members from each country co-teaching and managing coursework.

Technology-enabled global engagement is a growing internationalization trend, as highlighted in a recent article published by NAFSA on this topic, "New Windows on the World" by Christopher Connell, NAFSA International Educator, May/June 2014.

We look forward to working with you.

Sincerely,

 

 

Natalia Dyba

Director of Global Initiatives

University of Washington Bothell

UW1-186 | Box 358555

18115 Campus Way NE | Bothell, WA 98011

Email: nataliak@uw.edu

Web: http://www.uwb.edu/globalinitiatives

Review: The Art of Richard Thompson, from the next issue

Book Reviews

Apatoff, David, Nick Galifianakis, Mike Rhode, Chris Sparks, and Bill Watterson. The Art of Richard Thompson. Kansas City, MO: Andrews McMeel, 2014. 224 pp. $35. 978-1-4494-4795-3.

            Richard Thompson is one of the United States' premier cartoonists, having received accolades from stalwarts such as Pat Oliphant, who called him "Michelangelo with a sense of humor"; Edward Sorel, who thinks of him as "one of the best comic artists of his time"; and Arnold Roth, who "salutes" him for the "delightful absolute excellence of [his] artwork and thinking." Anyone familiar with Thompson's subtle and cerebral humor cartoons knows he is more than deserving of these remarks.

            Certainly the authors of The Art of Richard Thompson (David Apatoff, Nick Galifianakis, Mike Rhode, Chris Sparks, and Bill Watterson), all friends, feel that way as they assess his career, work habits, and personality, through observations of, interviews and discussions with, him, his own delightful essays, and many examples of his varied styles and forms of comic art.

            Thompson's oeuvre consists of, at least, illustrations, summary-type cartoons (his long-running "Richard's Poor Almanac" in the Washington Post), caricatures, and an award-winning comic strip ("Cul de Sac"), portrait-paintings, humorous writing, and rhyming ditties. The authors (pushed by self-named "The Enforcer" Mike Rhode) write in a light-hearted, humorous manner that fits Thompson's personality and work. Though they justifiably heap praise on him, they do so with levity and much admiration. The images chosen to supplement the text reflect Thompson's exquisite art, deep literary, history, music, and trivia knowledge, and brilliant use of language in captions containing silly rhymes, bon mots, and well-thought-out parodies. A few examples: an illustration labeled "Manhattan, 240, 193 B.C." showing a graffiti-splattered mammoth; subversive and cynical satirical everyday events, such as "Benjamin Franklin Cartoonist," showing his political contemporaries not understanding the symbolism of his "Join, or Die" cartoon, or "An Introduction to Electronic Voting," where the technology fails miserably; and, to the surprise of this reviewer, refined (or simply-drawn) and artistically, often contextually-funny caricatures that interviewer and acclaimed caricaturist John Kascht said, "capture(s) a likeness in a new way. Your drawing isn't like him, it is him."

            A number of Thompson's caricatures are of classical music maestros that he liked and whose works he played earlier when he was a pianist; others were of politicians (Ross Perot emerging mole-like on the White House lawn or Bill Clinton discretely discarding his wedding band upon laying eyes on a scantily-clad lass), entertainers (Elizabeth Taylor loaded down with a slew of expensive fur coats on a blistering hot day -- even the head of one of the furry animals she wears pleads for water), literati, sports figures, and more. In the interview, Thompson explained he draws people he likes or admires (exceptions George W. Bush and Jesse Helms), without anger, from memory, seeking to find his subject's "emotion."

            Seeing that Thompson's "Cul de Sac" has been favorably compared to the classic "Calvin & Hobbes," it seems natural that Bill Watterson would interview him. (To get Watterson to come out of seclusion for the occasion was a feat in itself.) The interview serves a double usage, mixing Watterson's experiences and views with those of his interviewee. Obviously, Thompson knows and appreciates the works of fellow comic strip artists, slipping into "Cul de Sac" an occasional "Little Neuro in Slumberland" or a subtle reference to a "Peanuts" character.

            The Art of Richard Thompson is a masterpiece, beautifully designed, intelligently planned, and craftily written. It will bring joy and laughter to the casual reader, knowledge about the whos, whys, and hows of cartooning to practitioners and scholars, and aesthetic pleasure to the art-inclined. It is a book that can comfortably grace a coffee table, fill a slot in a library reference section, or sit on the drawing table of a cartoonist.

            John A. Lent

 

Call For Papers: The Future in Comics, Stockholm, Sweden

Call For Papers: The Future in Comics

 

Organizers: The research group on comics at the English Department, Stockholm University

 

Where and When: Stockholm, 3^rd-5^th September

 

Call for papers, deadline/ Notification of acceptance: 15^th of April, 2015/10^th of May, 2015

 

Website: https://futureincomics.wordpress.com

 

E-mail for submissions: Submissions will be handled via easychair:

 

https://easychair.org/conferences/?conf=fic1

 

This conference aims to investigate ways in which comics explore the idea of "future." Its goal is to gather scholars from the field of comic studies and related fields, such as linguistics, philosophy, literary studies, cultural studies, sociology, anthropology, film studies as well as others that can discover a conceptual connection to the rigorous study of comics. Given our broad and yet specific purpose, we aim to discuss work on comics originating from all major traditions: French bande desineé, American and British comics, Italian fumetti, Japanese manga, and so on. In pursuing this cross-cultural approach, we wish to discuss not only how different conceptions of the future in comics can be compared and analysed, but also how comics offer unorthodox modes of representation that allow for creative, intellectual freedom that may be different from literature and cinema. In particular, we are interested in, but not limited to, discussing these themes:

 

·         The cross-roads between utopia and dystopia (e.g. Gundam's Universal Century, Transmetropolitan's representation of life in "the city", Harlock's 30^th century, the world of Rogue Trooper);

·         Apocalypses and new beginnings (e.g. Nausicaä's tragic millennium, Authority's new world, X-Men's days of future past, El eternauta's alien invasion);

·         The cities of the future (e.g. Dredd's Mega city one; Akira's neo-Tokyo; RanXeroX's Rome);

·         The humans of the future: mutants, augmented humans and cyborgs (e.g. Major Kusanagi in Ghost in the Shell, Tony Stark in Iron Man; 2000 A.D.'s ABC Warriors);

·         The politics of the future (e.g. Bilal's Nicopol Trilogy; Oshi's Patlabor trilogy; Marvel's Civil War);

·         Time and history (e.g. Watchmen; Planetary, Neon Genesis Evangelion)

·         Nostalgia for future pasts (e.g. Nadia, Arzach, Tom Strong, Satellite Sam);

·         Elaborations and revisitations of futures in comics (Pluto, Time², Le Transperceneige);

·         Futures set in stone, and how to avoid or reach them (X-Men's days of future past; AppleSeed, The Invisibles).

 

We hope to create a conference that not only discusses these topics and uncovers how they have been addressed in comics about the future, but also to lay the foundations of future research on these topics and develop new tools for advanced comics studies. We welcome abstracts between 400 and 500 words, excluding references and title. At the moment, we are aiming at securing publishing rights for selected papers from this conference, aiming at publication in December 2016.

 

For further information, please contact us at:

francesco.ursini@english.su.se or adnan.mahmutovic@english.su.se

Electronic registration will start by the 15^th of May.

IJOCA 16:2 Correction

Pedro Moura informs us that the review of Dale Jacobs' book Graphic Encounters, Comics and the Sponshorship of Multimodal Literacy on pages 667-670 credited to him was co-written with Conceição Pereira. The editors regret the omission.

Statement on the murders at Charlie Hebdo

Photo (cc) Flickr user Birgit Speulman https://www.flickr.com/photos/birgitspeulman/16204902876

The Comic Art Working Group of the International Association for Media and Communication Research (IAMCR) and the International Journal of Comic Art (IJOCA) strongly condemn the murders of cartoonists, journalists, and other staff members of Charlie Hebdo and loudly applaud the Je suis Charlie demonstrations and other actions and statements supportive of the magazine. We believe that the sword (or gun) can never be permitted to be mightier than the pen.

New International Journal of Comic Art issue is shipping to subscribers

Go to http://www.ijoca.com to order a copy or renew your subscription for 2015.

Looking for that perfect gift for a comics uber-scholar?

At Lulu, there's a couple of items that may be of interest:

International Journal of Comic Art 1:1 (reprint)

By John Lent

Biographical Sketches of Cartoonists & Illustrators in the Swann Collection of the Library of Congress

By Sara Duke

Here's the 30% off message:

We're just as excited about the season as you are, so we're offering you one last chance to get 30% off all print books.

Use promo code KRBM2 now until 11:59 p.m. on Dec. 15, and get great reads for everyone you know.

New Book - Asian Comics by John Lent

Asian Comics
By John A. Lent
University Press of Mississippi
ISBN 978-1-62846-158-9, hardback, $60

For Immediate Release

The first comprehensive overview of comics production and creativity in Asia

Asian Comics (University Press of Mississippi) dispels the myth that outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times, and visited many studios and workplaces, John A. Lent  shows that nearly every country had a golden age of cartooning and, recently, has witnessed a rejuvenation of the art form.

Organized by regions of East, Southeast, and South Asia, Asian Comics provides detailed information on comics of sixteen countries including their histories, key personnel, characters, contemporary status, problems, trends, and issues. As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan.  The nations covered here include China, Hong Kong, Korea, Taiwan, Cambodia, Indonesia, Malaysia, Myanmar, the Philippines, Singapore, Thailand, Vietnam, Bangladesh, India, Nepal, and Sri Lanka.

This book is the first comprehensive overview of Asian comics books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, and cartoon/humor magazines. Lent has done exhaustive research on the subject and the volume is crammed with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.

Readers may be surprised to learn that Indonesia had a self-named graphic novel in 1965, that the revered King of Thailand solicited the drawing skills of a famous cartoonist to illustrate his books, that sexual and scatological cartoon magazines have thrived during Nepal's annual Cow Festival, or that a member of royalty, a national leader, and the founding heads of state in four countries drew those nations' first cartoons.

Liberally illustrated in some cases, with rarely seen images, and well documented with plentiful bibliographies, Asian Comics is a rich resource that will be of much interest to many types of audiences.

John A. Lent has founded and chaired or edited numerous organizations and periodicals, including Asia and Pacific Animation and Comics Association, Asian Research Center on Animation and Comic Art, Asian Popular Culture group of the Popular Culture Association, Asian Cinema Studies Society, Malaysia/Singapore/Brunei Studies Group, the International Journal of Comic Art, and Asian Cinema. He is the author or editor of seventy-six books.

—30—

For more information contact Clint Kimberling, Publicist, ckimberling@mississippi.edu
Read more about Asian Comics at http://www.upress.state.ms.us/books/1705

 

PSA: Help support Asian comics at Michigan State University's Comic Art Collection

Asian Comics Cataloging at Michigan State University

reprinted from Insight May 2014 - http://img.lib.msu.edu/giving/insight/Insight_May2014.pdf

"I always recommend the MSU Comic Art Collection to fellow comic researchers since it is the world's most comprehensive and internationally oriented collection in the field." Matthias Harbeck, doctoral candidate, Carl von Ossietzky Universität, Oldenburg, Germany

Help make our Asian comics accessible!

 

Comics are truly a global phenomenon, and an important goal of our Comic Art Collection is to document how cultures around the world have adopted and transformed the medium.

That's why our collection ranges from Golden Age adventure strips to South American fotonovelas, and from Japanese manga to a nearly complete run of THE 99 – the world's first comic series with Muslim superheroes.

However, it's not enough to acquire these diverse materials. It's essential to catalog them as well, so users near and far can determine what we have available.

Thanks to recent gifts, we have far more Chinese, Japanese, Korean and Vietnamese comics waiting to be cataloged than we can handle – even with the broad range of language skills among the cataloging team!

Fortunately, help is available. We can send the work to an outside contractor, Backstage, which performs research-level cataloging in some 70 different languages. Backstage can complete about 150 of the most needed items for $5000 – and we have already have a generous gift of $1000 to start us off.

The Comic Art Collection is heavily used by MSU students and faculty working in the fields of history, literature, and cultural studies. Help us support their research by putting more Asian comics on the shelf!

Below is a link to a giving page that allows one to make a donation to support the cataloging of our Asian Comics.  Thanks for your interest and help with this project.

https://givingto.msu.edu/gift/?sid=1625

PSA: Help support Asian comics at Michigan State University's Comic Art Collection UPDATED

Asian Comics Cataloging at Michigan State University

reprinted from Insight May 2014 - http://img.lib.msu.edu/giving/insight/Insight_May2014.pdf

"I always recommend the MSU Comic Art Collection to fellow comic researchers since it is the world's most comprehensive and internationally oriented collection in the field." Matthias Harbeck, doctoral candidate, Carl von Ossietzky Universität, Oldenburg, Germany

Help make our Asian comics accessible!

Comics are truly a global phenomenon, and an important goal of our Comic Art Collection is to document how cultures around the world have adopted and transformed the medium.

That's why our collection ranges from Golden Age adventure strips to South American fotonovelas, and from Japanese manga to a nearly complete run of THE 99 – the world's first comic series with Muslim superheroes.

However, it's not enough to acquire these diverse materials. It's essential to catalog them as well, so users near and far can determine what we have available.

Thanks to recent gifts, we have far more Chinese, Japanese, Korean and Vietnamese comics waiting to be cataloged than we can handle – even with the broad range of language skills among the cataloging team!

Fortunately, help is available. We can send the work to an outside contractor, Backstage, which performs research-level cataloging in some 70 different languages. Backstage can complete about 150 of the most needed items for $5000 – and we have already have a generous gift of $1000 to start us off.

The Comic Art Collection is heavily used by MSU students and faculty working in the fields of history, literature, and cultural studies. Help us support their research by putting more Asian comics on the shelf!

Below is a link to a giving page that allows one to make a donation to support the cataloging of our Asian Comics.  Thanks for your interest and help with this project.

https://givingto.msu.edu/gift/?sid=1625

PSA: Help support Asian comics at Michigan State University's Comic Art Collection

Asian Comics Cataloging at Michigan State University

reprinted from Insight May 2014 - http://img.lib.msu.edu/giving/insight/Insight_May2014.pdf

"I always recommend the MSU Comic Art Collection to fellow comic researchers since it is the world's most comprehensive and internationally oriented collection in the field." Matthias Harbeck, doctoral candidate, Carl von Ossietzky Universität, Oldenburg, Germany

Help make our Asian comics accessible!

Comics are truly a global phenomenon, and an important goal of our Comic Art Collection is to document how cultures around the world have adopted and transformed the medium.

That's why our collection ranges from Golden Age adventure strips to South American fotonovelas, and from Japanese manga to a nearly complete run of THE 99 – the world's first comic series with Muslim superheroes.

However, it's not enough to acquire these diverse materials. It's essential to catalog them as well, so users near and far can determine what we have available.

Thanks to recent gifts, we have far more Chinese, Japanese, Korean and Vietnamese comics waiting to be cataloged than we can handle – even with the broad range of language skills among the cataloging team!

Fortunately, help is available. We can send the work to an outside contractor, Backstage, which performs research-level cataloging in some 70 different languages. Backstage can complete about 150 of the most needed items for $5000 – and we have already have a generous gift of $1000 to start us off.

The Comic Art Collection is heavily used by MSU students and faculty working in the fields of history, literature, and cultural studies. Help us support their research by putting more Asian comics on the shelf!

Cover to latest issue, 16:1 Spring 2014

International Journal of Comic Art Spring 2014 issue out now

International Journal of Comic Art Vol. 16, No. 1, Spring 2014

Guest Editorial

The Books Are Selling Just Fine, Thank You, or Scholarship and the Permissions Problem

Joseph Thomas

1

Comics Scholarship: Its Delayed Birth, Stunted Growth, and  Drive to Maturity

John A. Lent

9

Towards a Global History of the Political Cartoon: Challenges and Opportunities

Richard Scully

29

Chica moderna o mujer tradiconal? Intersections of Modernity and Tradition in Gabriel Vargas' La Familia Burron

Brittany Tullis

48

Comics Don't Need to Be Literature with a Capital L: An Interview with Leah Moore and John Reppion

Jeffery Klaehn

74

Atomic Horror: Entertaining Comics and "One World or None"

Eric A. Holmes

90

The Misshitsu Trial: Thinking Obscenity with Japanese Comics

Patrick W. Galbraith

125

Representation through Anti-Representation: Showing the Unspeakable in Stassen's Déogratias

Anna Howell

147

"You Can't Deny the Uncomfortable Truths": Carol Tyler and Her Frank Autobiographical Comics

John A. Lent

163

Semiotics of Filipino Komiks-to-Film Adaptation: Decoding Lapu-Lapu (1954)

Joyce L. Arriola

177

The Emergence of Black Cartoon Animators in South Africa: A Spotlight on the Work of Mdu Ntuli

Pfunzo Sidogi

208

Voices from the Margins:

The Place of Wilderness in Watchmen

Aaron A. Cloyd

223

Doomed Hybrids: Three Cases of Fatal Mixing 

in the War Comics of Tezuka Osamu

Ben Whaley

244

Allied, Japanese, and Chinese Propaganda: Cartoon Leaflets During World War II

John A. Lent

258

Women Cartoonists and Illustrators  Draw Covers for American Magazines: Case Studies from The Library of Congress's Prints & Photographs Division

Martha H. Kennedy

302

The Art of Splicing: Autofiction in Words and Images

Maaheen Ahmed

322

R for Reason Gone Rampant? The Intricate Interplay between Madness and Rationality in the Graphic Novel V for Vendetta

Marco R. S. Post

339

Writing History, Day by Day, From My Point of View: The Philosophy of Sudanese Cartoonist Khalid Albaih

Mark Anderson

367

Classical Categories, Prototypes,  and the Graphic Novel

Achim Hescher

384

"Let's part before we become mushy": Femininity and Female Antagonists in Will Eisner's "The Spirit"

David Hayes

402

I Voted Only for the Head Too: Visual Satire and Democratic Governance in Africa

Jimoh, Ganiyu Akinloye

431

Text and Images: Varying Sizes of Word Balloons in Comics

Gary Dufner and Joo Kim

445

From Boom to Bubble and Bust: Comical Economics in Aleix Saló's Troika Trilogy

Ryan Prout

458

Comics for the Blind and for the Seeing

Jakob F. Dittmar

477

Kampong (Village) Boy Lat and Icons of Malaysian Nationhood

Nasya Bahfen, Zainurul Rahman, and Juliette Peers

487

The Next Generation of Comics Scholarship 

Sandman and Greek Mythology  in The Song of Orpheus

Daniela Marino

500

Japanese Honorifics Including Openings, Closings, and Terms of Address in a Japanese Animation Film: Using Authentic Texts in Second Language Teaching and Learning

Cherie Hess

515

"Topolino canta Napoli" : Mickey Mouse as Testimonial of Piedigrotta Festival

Armando Rotondi

532

Personal Remembrances

John A. Lent and Xu Ying 

540

Bi Keguan in My Eyes

Wang Dejuan

Translated by Xu Ying

542

The Printed Word

John A. Lent

550

Book Reviews

553

Exhibition and Media Reviews

Edited by Michael Rhode

566

<Portfolio> 

The Clever Cartoons of Ross Thomson

568

IJOCA nominated for an Eisner award

The International Journal of Comic Art has been nominated for the prestigious Eisner Award in the Best Scholarly / Academic Work category. We are appreciative of the honor.

New book: Southeast Asian Cartoon Art ed by John Lent

Southeast Asian Cartoon Art
History, Trends and Problems

Edited by John A. Lent
http://www.mcfarlandbooks.com/book-2.php?id=978-0-7864-7557-5

Print ISBN: 978-0-7864-7557-5
Ebook ISBN: 978-1-4766-1446-5
52 photos, notes, bibliography, index
256 pp. softcover (6 x 9) 2014

Price: $40.00

About the Book
This is the first overview of cartoon art in this important cultural nexus of Asia. The eight essays provide historical and contemporary examinations of cartoons and comics in Indonesia, the Philippines, Thailand, Cambodia, and Vietnam, and sociocultural and political analyses of cartooning in Singapore, Myanmar, and Malaysia. The collection benefits from hundreds of interviews with Southeast Asia's major cartoonists, conducted by the four contributors, as well as textual analyses of specific cartoons, on-the-spot observations, and close scrutiny of historical documents.

All genres of printed cartoon art are studied, including political and humor cartoons, newspaper comic strips, comic books, and humor and cartoon periodicals. Topics of discussion and comparison with cartoon art of other parts of the globe include national identity, the transnational public sphere, globalization, alternative media forms, freedom of expression, consumerism, and corporatism. Southeast Asian cartoon art has a number of features unique to the region, such as having as pioneering cartoonists three countries' founding fathers, comics that gave their name to a national trait, some of the earliest graphic novels worldwide, and a king who hired a cartoonist to illustrate his books.

About the Author
John A. Lent was a professor for 51 years in universities in the United States, the Philippines, Malaysia, Canada, and China. He founded and has edited or presided over a number of periodicals and organizations. He lives in Drexel Hill, Pennsylvania.     

Table of Contents

Preface
      John A. Lent 1
Part I: Historical and
Contemporary Overviews
1. Cartooning in Indonesia: An Overview: John A. Lent 6
2. Philippine Komiks: 1928 to the Present: John A. Lent 39
3. The Uphill Climb to Reach a Plateau: Historical Analysis of the Development of Thai Cartooning: Warat Karuchit 75
4. The Swerving Status of Cambodian Comic Art: John A. Lent 105
5. Cartooning in Vietnam: A Brief Overview: John A. Lent 122
Part II: ­Socio-Cultural and Political Issues
6. Chinese Cartoonists in Singapore: Chauvinism, Confrontation and Compromise (1950-1980): Lim Cheng Tju 142
7. Political Cartoons and Burma's Transnational Public Sphere: Lisa Brooten 178
8. Cartoonist Lat and Malaysian National Identity: An Appreciation: Muliyadi Mahamood 205
About the Contributors 215
Works Cited 217
Index 231